When is the future? The hopeful answer would be now, because it demands the present to be revolutionary in scope. Perhaps that’s the utopian dream of science fiction and much of cinema in general. Glowing screens could frame a technological transition of the social ego into a more revolutionary whole, a digital regime, a force that pushes individual feelings of sublime escape, total annihilation, or unbelievable spectacle into the public sphere, where the alienated are carried away on the backs of dinosaurs, where deus ex machina is a laser-storm.<br />全文はこ↑こ↓<a href="http://www.tinymixtapes.com/music-review/mesh-piteous-gate" target="_blank" rel="noopener nofollow">http://www.tinymixtapes.com/music-review/mesh-piteous-gate</a><br /><br /> 前：<a href="https://www.nicovideo.jp/watch/sm27202893" class="watch">sm27202893</a>　次：<a href="https://www.nicovideo.jp/watch/sm27285401" class="watch">sm27285401</a><br /> <a href="https://www.nicovideo.jp/mylist/51024348" target="_blank" rel="noopener">mylist/51024348</a><br /><br />エモリ・ヤタロウはちょっと眠ってろお前<br />ｻｲｶﾄｸﾞ兄貴　nikoniko兄貴、猫侍。兄貴、Taji兄貴、ナイン兄貴ありがとナス！、ジョージ兄貴もよくわからんけどありがとナス！